top of page

ANCIENT STORIES FOR MODERN TIMES

SPRING 2025

Performances:

  • Sunday, May 4, 7:30 p.m. Fisher Theatre. Collaboration with ISU Cantamus, Lyrica, and Performing Arts Majors as part of the ISU Fringe Festival. Repertoire: Trilo, Aesop's Fables, The Elements.

  • Friday, May 13, 7:30 p.m. and Saturday, May 14, 3:00 p.m. Collegiate Presbyterian Church.

​​

LINK TO ACA REHEARSAL VIDEO YOUTUBE PLAYLIST 

​

VOICE PARTS AND SPLITS 

​

STANDING ORDER CHART coming later​

​

MUSIC, NOTES, AND PERFORMANCE RECORDINGS

​​

AESOPS FABLES (Bob Chilcott)

  • The Hare and the Tortoise

Sheet Music

Performance Recording

NOTES: Splits as marked. Soprano at m. 56 - high B only as comfortable. Most will take the E.

  • The Mountain in Labour  

Sheet Music

Performance Recording                           

NOTES: 

mm. 120-123, 128, 138-139 - Soprano and bass splits when three notes. 

  • The Fox and the Grapes

Sheet Music

Performance Recording

  • The North Wind and the Sun

Sheet Music

Performance Recording

NOTES: Splits as marked. Soprano divide in m. 211. 

  • The Goose and the Swan

Sheet Music

Performance Recording

 

The Forest of Loo (Lee Ann Dresser)

Sheet Music

Performance Recording  

Rehearsal Files

NOTES:

Solos possible at mm. 21-22 and mm. 46-49. 

Basses split on m. 92 instead of tenor split as marked.

​​​

Jabberwocky (Sam Pottle)

Sheet Music

Performance Recording

​Rehearsal recordings are available for $2.99 per track from Choral Tracks

NOTES: Sopranos and Altos use 3-Part Split assignment in mm. 7-8, 18-19. 63, 81-82, and 92-93.

​

Leonardo Dreams of His Flying Machine (Eric Whitacre)

Sheet Music

Performance Recording (with sheet music to follow)

Performance Recording from VocalEssence

Rehearsal Recordings (link to Google Drive with Choral Tracks)

​NOTES:

  • m.24, beats 1-3 ("magines") A1 take the S2 F# and S2 takes the A# in the S1 line.

  • mm. 99 - 115 beat 3. Sops and Altos use the Leonardo 6-part split with parts 1-2 on the top line, parts 3-4 on the middle line, and parts 5-6 on the third line, splitting high/low on those lines where marked.

  • mm. 129 - 136. Sops and Altos keep the same 6-part split, but parts 5 and 6 get their own lines (the alto 1 and alto 2 lines). Return to 4-part split at m. 137.

  • ERRATA - m. 133 for highest voice, change beat 6 (the third quarter note) to a D rather than a C

  • Solos possible beginning at m. 125 (3 treble voices and one baritone)

​

I Go Among Trees (Giselle Wyers)

Sheet Music

Performance Recording

​NOTES: Splits as marked

​

Sudden Light (Thomas Juneau)

Sheet Music

Performance Recording

Rehearsal recordings are available for $2.99 per track from Choral Tracks.

​NOTES: Splits as marked

​

Trilo (Traditional Swedish, arr. Bengt Ollén)

Sheet Music

Performance Recording

​NOTES:

  • Solo available for treble voice to open the melody. Brassy timbre singing. 

  • Mm. 14-22 - 4-part tenors and basses will then divide into two choirs. Determined at rehearsal.

  • Basses split when three notes (mm. 24-34)

 

ELEMENTS (KATERINA GIMON)

Sheet Music - coming soon

Performance Recording (audio only - timestamps are in the video description)​

​NOTES: we will not do all four of these movements and definitely not "Fire." 

​

The Telephone from Frostiana (Randall Thompson) - tentatively programmed

Sheet Music

Performance Recording with piano (not as good voice audio)

Performance Recording with orchestra (better vocals)

Rehearsal Recordings (link to YouTube Playlist)

​

bottom of page